Kiállítási dokumentáció a Medea muckt auf című kiállításról

Drozdik Orshi’s (1946) series Individual Mythology No.

The Polish Natalia Lach-Lachowicz assumed the name Natalia LL, which later became the trademark of her art in 1971, which was the time she made the first pieces of her Consumer Art series, which can be regarded as the first feminist artworks in Central Europe. There were many interpretations of t

Judit Kele first studied textile art, then set- and costume-design. In 1979 she decided to take a radical step and declared her own self to be a piece of art. She continued consistently along this path through the mid-1980s.

The Polish Natalia Lach-Lachowicz assumed the name Natalia LL, which later became the trademark of her art in 1971, which was the time she made the first pieces of her Consumer Art series, which can be regarded as the first feminist artworks in Central Europe. There were many interpretations of t

The Polish Natalia Lach-Lachowicz assumed the name Natalia LL, which later became the trademark of her art in 1971, which was the time she made the first pieces of her Consumer Art series, which can be regarded as the first feminist artworks in Central Europe. There were many interpretations of t

The black and white photo series Family Album was taken by ANNA DAUČIKOVA during her stay in Moscow in 1988.

ANNA DAUČIKOVA is a pioneer of feminist and queer art in Slovakia and the Czech Republic. She was one of the founders of the feminist magazine Aspekt in 1991 and one of the most influential figures in the queer movement as an artist and academic.

In the second photograph, taken in 1998, the artist explores the themes of gender and gender ambiguity.

In the third and most recent self-portrait (2017), a modern earpiece hanging from the artist’s mouth resembles the shape of a woman’s ovaries. The female reproductive organ, combined with the hi-tech gadget, evokes further associations: natural-artificial, reception versus reproduction, transmitt