Kiállítási dokumentáció a Most - Zeitgenössische Kunst Ungarn című kiállításról

At the end of the sixties, György Jovánovics made cheap, non-timeless plaster, used as a sculptural aid, the raw material of his art, thus demonstrating his opposition to power and official sculpture. The relief 16.04.99, whose title indicates the date of its creation, belongs to a series of plas