Many critics have already described Ilona Keserü’s art as one guided by womanhood. Its fundamental element is a metaphor of life-situations, that of approach, touch, and entanglement, as well as a state of continuity complying with the laws of nature, a state of stream.
Matter, one of Dubuffet’s major adventures, gains its full meaning in his lithographs. The artist’s interest was aroused at his very first encounter with the rough material. Stone is a mineral matter par excellence, which opened up new paths for the artist.
Close Up offers a unique opportunity for the viewers to gain a comprehensive overview of Sieverding’s oeuvre, providing convincing evidence of the way she has extended the medium of photography through its combination with film and video.
For a long time, the Hungarian born (Budapest, 1936) László Lakner’s name – who lived in Germany in the past thirty years - was associated with the emergence of Pop Art in the Hungarian art scene. But Lakner was active in a perplexing variety of art forms.
Sebastião Salgado, the world-renowned photographer of Brazilian origin, started his project entitled Exodus in 1993, determined to demonstrate history at the turn of the millennium through the tribulations of displaced populations, refugees and migrants.
The exhibition underlines the connection between the application of an ’objective’, technical vocabulary and structuring on the one hand, and the instinctive pleasure of observation and recording in various media and genres on the other – from video installation and (staged) photography to filmic
This catalogie was created for the Desire Images 1999-2003 exhibition of Gábor Bakos and Imre Weber.
Catalogue accompanying the exhibition 'Human Stories - Photos and Paintings from the Essl Collection'.
Catalogue accompanying the exhibition 'Interior Secrets of the Body'. The works of art in the exhibition approach the subject of disease, the fragility and vulnerability of the body from various points of view.
In this work Katarzyna Kozyra processes Vaclav Nijinsky’s choreography of Igor Stravinky’s music using the tools of film and digital media. The subject of the Ballet is the sacrifice of a virgin to the God of Spring by the elders and wise men of the tribe.
‘Moszkva tér’ as a mental space symbolises our relationship with our visual history while it raises questions of public space in general. In other words, it serves as ideal platform to raise the issue of public art, its social, political, aesthetic, etc., aspects.
A selection of works from the collection of Ludwig Museum Budapest - Museum of Contemporary Art, exhibition at VSG.
Thanks to Rebecca Major, lost objects – gloves – become found objects. Found objects that grow into hermeneutic packages during the course of an exhibition, for the visitors add their comments to the exhibits. Each glove, recorded in a photograph, induces a surplus of stories.
Publication accompanying the exhibition 'The sky over Budapest' by András Lengyel.
Szépfalvi continued dealing with the same topic that she has been treating since the beginning of her career.
The installation was inspired by the story of William Walker, the deepwater diver of Winchester Cathedral, who worked six hours a day for over five years from 1905 onwards on the reinforcement of the foundations of the building.
Catalogue of the exhibition 'Breath', a selection of recent Estonian video art from the past three years.
In this latest work Mária Chilf breaks with the forms of expression we are accustomed to from her. Her installation uses neither peculiar substances, nor objects to build the installation, nor mounts an exhibition from pictures that carry the surreal, archaic or organic world of forms.
Catalogue accompanying the exhibition 'White Dwarf', includes a conversation between the artist and József Készman.
Frigyes Kőnig has been painting works depicting bathers since 1999. A classic theme, the motif of bathing has long provided a framework for placing nude figures within a landscape setting.
The character appearing in the majority of his works is the artist himself; as a real quick-change artist, he slips into the costume appropriate to the scene at hand, and we can easily spot the recurring props and elements of the set design used in the adapted situations portrayed in the pictures
Catalogue accompanying the exhibition 'Henri Cartier-Bresson Retrospective' at the Ludwig Museum Budapest – Museum of Contemporary Art. Henri Cartier-Bresson is one of the most prestigious founders and outstanding artists of 20th-century photography.
Catalogue accompanying the retrospective exhibition of Orshi Drozdik.
Catalogue accompanying the exhibition "200% dbB és Transylvanian Transfer" by András Ravasz.
If we were to define the common denominator for the most trenchant characteristic possible of the A-R Group, we would have to reach out to certain generalities that can perhaps be characterized by the metaprefix.
Catalogue accompanying the exhibition 'Works 1960-2001' by Daniel Spoerri.
The exhibition – and the project in its entirety – seek the answer to the same question, in attempting to examine our metamorphosising notions in accordance with the accelerating development of the various technologies, and to present how artists, theoreticians and scientists acknowledge and eval
