Kiállítási dokumentáció a Péter Nádas: In der Dunkelkammer des Schreibens című kiállításhoz

László Fehér gained international recognition at the 1990 Venice Biennale, where Peter Ludwig, among others, bought some of his works.

Self-portrait is a recurring motif in the photographs of András Baranyay. It has several forms, from rear views through sleeping to photographs exposed onto the portraits of others.

Ferenc Ficzek (1947, Pécs, Hungary − 1987, Pécs) is a painter and graphic artist and founding member of the Pécs Studio who built on avantgarde currents to produce, in the worst of political environments, a most outstanding, coherent neo-avantgarde oeuvre.

Tibor Hajas’ collaboration after 1976 with photographer János Vető, who was practically the only one to document his performances, marked a new period in his oeuvre.

Ákos Birkás produced his large paintings systematically from the mid-1980s to the end of the 1990s featuring a single motive: an oval shape filling the canvas almost completely, an abstract “head”, the countless variations of which – and the associations connected to the universal form – allowed

Tibor Hajas’ collaboration after 1976 with photographer János Vető, who was practically the only one to document his performances, marked a new period in his oeuvre.