“An exhibition does not exist in isolation; even on a local level, it engages in dialogue with other institutions’ explorations of similar themes, interdisciplinary artistic endeavors, and ongoing economic, political, and social discourses.
The aim of the exhibition A cukiság faktor | The Cuteness Factor – and the accompanying catalogue – was to understand and present the aesthetics of cuteness, a global aesthetics that has an absolute presence on the internet and social media.
An overview of András Lengyel’s rich oeuvre, spanning his entire career.
The catalogue presents the exhibition in the Hungarian Pavilion at the 18th International Architecture Exhibition.
The catalogue presents the exhibition in the Hungarian Pavilion at the 18th International Architecture Exhibition.
The diorama appears in all artistic forms, yet it is a rarely discussed concept. The exhibition catalogue is comprehensible and even entertaining for the lay audience, and at the same time it explores the genre of diorama and its role in art history from a professional point of view.
The exhibition at the Ludwig Museum is not about the science-fiction possibility of time travel, but examines the relationship between time and art from different perspectives, and sees the works themselves as time machines that allow us to travel mentally.
Frey’s oeuvre unfolds in its entirety from early works unknown to the profession to masterpieces made in Hungary and Switzerland and to pioneering computer art experiments.
The catalogue presents the exhibition After Dreams: I dare to defy the damage in the Hungarian Pavilion at the 59th International Art Exhibition of La Biennale di Venezia.
The catalogue presents the exhibition After Dreams: I dare to defy the damage in the Hungarian Pavilion at the 59th International Art Exhibition of La Biennale di Venezia.
Due to the great interest that followed the two-days symposium, and the positive feedback on the symposium’s new approach concerning the raised topics, the organisers created, with the contribution of the participant speakers, an ebook.
The catalogue presents the exhibition in the Hungarian Pavilion at the 17th International Architecture Exhibition.
The catalogue presents the exhibition in the Hungarian Pavilion at the 17th International Architecture Exhibition.
The current logic of our world, the existing social & economic system and the market-consumer culture have caused serious environmental problems.
The publication Spatial Affairs is a product of a complex and special project. It accompanies the exhibition Spatial Affairs (29 April – 27 June 2021) in Ludwig Museum – Museum of Contemporary Art in Budapest, and its digital extension, Spatial Affairs. Worlding.
Catalogue accompanying Tamás Konok’s Oeuvre Exhibition Vers l’infini.
Catalogue accompanying the exhibition Tamás Király: Out of the Box.
The catalogue was published on the occasion of the exhibition Bauhaus 100. Programme for the now - contemporary viewpoints.
The catalogue was published on the occasion of the exhibition IPARTERV 50+ and contains the talks delivered at the conference In Pursuit of the Iparterv Phenomenon and the script of the roundtable discussion.
The movement Pattern and Decoration was developed in the USA in the 1970s by a number of artists, such as Joyce Kozloff, Valerie Jaudon, Robert Kushner and Miriam Schapiro.
Catalogue accompanying the 'Related by sister languages. Estonian-Hungarian contemporary art exhibition'.
The catalogue presents the exhibition Imaginary Cameras by Tamás Waliczky in the Hungarian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia.
The catalogue presents the exhibition Imaginary Cameras by Tamás Waliczky in the Hungarian Pavilion at the 58th International Art Exhibition of La Biennale di Venezia.
The Common Affairs exhibition opened in January 2018 in Ludwig Museum.
With his works, Erwin Wurm asks what happens to everyday objects when they are deprived of their function and, by transforming them, he presents them in a way that makes the viewer part of a true artistic performance, liberating her from her passive “art consumer” position.
The catalogue presents the exhibition in the Hungarian Pavilion at the 16th International Architecture Exhibition.
The first major presentation of the Ukrainian contemporary art scene in Hungary is a special occasion to look into the vibrant art of a country full of tensions, which is still largely in the blind spot of the European cultural area.
This long-awaited book is based on the exhibition’s material, but it offers much more: the texts published here, most of them for the first time, approach Türk’s art from diverse perspectives.
