Krisztián Frey (1929–1997) is one of the outstanding representatives of the Hungarian neo-avant-garde of the sixties and an early Swiss pioneer of international computer art. With this large-scale oeuvre exhibition, the museum is repaying an old debt.
Responding to the topic raised by the chief curator Hashim Sarkis, ”How Will We Live Together?”, the Hungarian exhibition of the 17th Architecture Biennale seeks solutions by looking back to the past.
Luca Sára Rózsa, Kata Tranker and Ádám Ulbert are the winners of the Esterházy Art Award 2021. The prize is awarded every two years and the exhibition accompanying the award is considered the most valuable survey of the young Hungarian art scene.
The autumn program series of the Transparent Sound New Music Festival 2021 has started. In the three autumn months, performances are organized in cooperation with several Budapest institutions. In October and November installations are presented in several parts of the city, including Bálint Baráth's new eight-channel work OktoLudium, which can be seen and heard at the Ludwig Museum in Budapest.
The exhibition builds a bridge between contemporary art and the artistic tools of 30,000 years. Through a selection from the archeological finds of the Carpathian Basin and from the cultural and historical artefacts representing the rise of citizenship, the show will present the evolution of the role of hunting.
The exhibition highlights the exploitative practices that have led to the current global environmental, economic and social problems. The works displayed present several possible solutions, from waste-free household management through voluntary simplicity to the concept of an economy without growth.
The exhibition invites the viewer to an adventure that highlights the richness of Hungarian film history and the nature of film art that connects time, space and cultures, and through the material presented it seeks to initiate a dialogue.
The aim of the exhibition is to highlight the environmental impacts and exploitative practices that have led to the current global environmental, economic and social problems. Our other main objective is to provide a broader platform for artistic positions thatemphasize sustainability and offer alternative lifestyles.
Responding to the topic raised by the chief curator Hashim Sarkis, ”How Will We Live Together?”, the Hungarian exhibition of the 17th Architecture Biennale seeks solutions by looking back to the past.
The exhibition »BarabásiLab. Hidden Patterns« introduces the work of the physicist and network scientist Albert-László Barabási and his research laboratory.
The exhibition Spatial Affairs aims to investigate the relation and interdependence of physical and digital presence via Modern, Conceptual and Contemporary works of art and manifestos.
The Ludwig Museum planned to celebrate painter Tamás Konok’s 90th birthday with a large-scale oeuvre exhibition.
The Hungarian Cultural Institute Brussels presents to its public the artistic aspirations of the Hungarian neo-avant-garde of the sixties and seventies through the works of the Vojvodina based Bosch + Bosch group. The exhibition, which opens online on November 19, will be followed by a number of discussions, performances, a series of lectures and screenings related to the topic.
“SLOW LIFE. Radical Practices of the Everyday” is a group exhibition with an international scope, a commitment that reflects on today’s pressing global issues.
The exhibition Hidden Patterns aims to present the last 20 years of research based on the so-called Barabási networks mainly related to the activity of physicist and network researcher Albert-László Barabási.
Keeping the Balance is a temporary exhibition presenting about sixty works from the Art Collection Telekom. Most of the works are by artists of Eastern European roots.
The exhibition Dialektik der Bilder / The Dialectic of Images examines artistic identities and positions in Hungary from the 1970s to the turn of the millennium, investigating the art scene of the end of socialism and the impacts of the fall of the Iron Curtain.
Time machine is a device that only exists in theory so far, with the help of which we can fly our physical body into the past or the future. The new exhibition at the Ludwig Museum is not about the science-fiction possibility of time travel, but examines the relationship between time and art from different perspectives, and sees the works themselves as time machines that allow us to travel mentally.
BOTH WAYS is a contemporary art exhibition that contributes, within the Science in the City Festival, to the edition of the EuroScience Open Forum (ESOF2020) in Trieste.
The aim of the exhibition is to highlight the environmental impacts and exploitative practices that have led to the current global environmental, economic and social problems. Our other main objective is to provide a broader platform for artistic positions, which emphasize sustainability and offer alternative lifestyles.
The exhibition, which opened in the spring at the Hungarian Institute in Sofia has a dual function.
Alban Muja’s new video installation digs deep into personal and collective memories of the Kosovo War (1998–1999) interrogating the role that images and the media have in constructing and shaping narrative, identity and history, especially in times of conflict.
The Ludwig Museum continues its practice of presenting the Hungarian exhibition of the Venice Biennale to the public in Budapest. In 2019, Tamás Waliczky’s exhibition Imaginary Cameras was on display at the Hungarian Pavilion (curated by Zsuzsanna Szegedy-Maszák).
How will the at once dematerialized and delocalized dynamics of power structures be impacted in both their evident economic and inevitably political manifestations if the network is disconnected? But also, what can still be said or done in the meantime? How does one occupy—or not— what is essentially borrowed time and space, a space-time henceforth to be shared between digital and physical realities.
